Thanks to the ability of digital audio to be perfectly copied, transmitted, and carried in small packages, we may be surrounded by more music and human-made audio programming than at any other time in ...

The future of audio is digital and the quality produced by digital audio is of great importance to broadcasters, producers, live venues and the listening audience. Digital audio can be prone to ...

This is part one of a set of articles exploring some common myths and misconceptions surrounding digital audio. Time and again I am surprised that even experienced and well-respected audio engineers ...

We casually speak of digital audio, often referring to it as AES audio, perhaps AES3 (for the number of the AES standard), or by an older term AES/EBU. But what exactly is this AES3 signal? Here’s the ...

The CS8420 is a Digital Audio Sample Rate Converter featuring transceiver with asynchronous sample rate converter and flexible 3-wire serial digital I/O ports. It has pin and microcontroller ...

The Mach 2 in Milano, Italy, is a 5.1 audio surround facility that features three audio studios and an editing suite equipped with Avid Pro Tools HD digital audio production systems. Photo courtesy ...

Among the most important questions radio managers and engineers soon may face is how to implement IBOC DAB technology. Radio World has asked Ibiquity Digital Radio to answer common IBOC questions in ...

Do you lose something when you go from analogue to digital? Why do so many of us still believe vinyl will always sound better than digital reproduction? The arguments have a lot in common with the ...

My article last week about whether you could build a camera in a shed sparked off discussions in all directions, but a persistent one was whether you lose something when you go for analogue to digital ...